In short, The Florida Project is a masterpiece. They act, talk, and behave like humans do, even when it’s precisely their actions, speech, and behavior that makes it difficult to truly sympathize with them. He conjures characters that are simultaneously deeply flawed, but entirely deserving of our empathy. But Baker understands that the highest goal of cinema – and indeed any art form – isn’t to get people to sympathize with a character, that’s simple, it’s to allow an audience to empathize with a character. Baker’s central characters certainly aren’t angels and, at times, it’s hard to truly sympathize with their plight.
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I wrote of it, “It’s a story that starts out making you want to open your eyes wider, stand taller, and breathe deeper as though new shades of the rainbow have been revealed.” Three months on and the statement rings as true as ever. When I saw Sean Baker’s empathetic ode to childhood in October I left on cloud 9. So, even though I’ve spent the last bloated paragraph highlighting films that touched me in some way or another, but which still didn’t make the cut, let me just briefly list some honorable mentions:Īnd, without further ado, here are my picks for my top ten favorite films of 2017: 10. But, 2017 hit me with three films, just in its last month alone, that made me not just rearrange my top ten, but usurped my #1 spot over and over and over. Do I cut out the absolutely sublime examination of the threshold between adolescence and early adulthood that is Lady Bird? How about Linklater’s melancholic study of grief and paternal love: Last Flag Flying? Or how about the film I sung the praises of out of SXSW, Edgar Wright’s extraordinarily punchy and invigorating musical-cum-heist thriller Baby Driver? Hong Sang-soo’s brilliant and quiet autobiographical masterwork On the Beach at Night Alone – a film that contains, for my money, perhaps the best performance of the year in Kim Min-hee’s Young-hee? Or maybe Jordan Peele’s barnstormer of a debut Get Out? The reality is, any other year, all these films and more would have made it into my top ten. I always feel like I’m leaving out some gem and I end up with an honorable mentions list that stretches to the floor and beyond.
#RIPENED PEACH SEXISM GENERATOR#
There is no random generator in the Character Editor, although it is something I would possibly like to program in sometime in the future.Every year, for at least the past four years, I’ve had trouble culling my year end list into a measly ten picks. With that said, it's become clear that people want updates even if there's nothing to update, so we are keeping that in mind and hope to do better in the future. There are only two of us here working on this, and as creators we are also interested in making more games than just one that we work on forever. As you said, people " need" updates, which is honestly an odd thought to me, but hey, that's where things are now so it's up to us to keep up. It's taken us a while to understand that over the past few years people have become accustomed to continuous updates, and they expect updates pretty much all the time, pretty much indefinitely.
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#RIPENED PEACH SEXISM PATCH#
We come from the old days of game development (I started as a game dev in 1994) where updates were something that were needed if there was a patch or major addition, but they weren't expected.